photo-web
Cover  /   Introduction: Tracey Moffatt   /  Texas Residency: Tracey Moffatt   /   Cover Girl by Gael Newton   /   Notes & Bibliography    /  Publication details


Bibliography

 

Susanne Lingerman. 'Tracey Moffatt'. Art, Fall Salon—October 1995, Hamburg, Germany.

Michael Fitzgerald. 'Technicolor World'. Time (Australia-Pacific), 7August 1995.

Ewen McDonald. 'Tracey Moffatt at Karyn Lovegrove and Mori'. Art in America, July 1995.

Gael Newton in Antipodean Currents (exhibition catalogue edited by Julia Robinson). Guggenheim Museum (Soho), New York, 1995.

Pepe Karmel. 'Antidotes for a Cartoon Image'. New York Times, 23 June 1995.

Christopher Dean. 'Tracey Moffatt: Guapa (Goodlooking)'. Broadsheet, Spring1995, Adelaide.

Felicity Fenner. 'All-pervasive Images of Sex'. Sydney Morning Herald, 7 July 1995.

Adrian Martin. 'The Go-Between'. World Art, No 2, 1995, Melbourne.

Frances Colpitt. 'Tracey Moffatt: GUAPA (Goodlooking)'. New Works 95.2 (exhibition catalogue), ArtPace, San Antonio Texas, 1995.

Gael Newton. 'Tracey Moffatt', Australian Perspecta 95 (exhibition catalogue). Art Gallery of New South Wales, Sydney, 1995.

Gael Newton. 'See the woman with the red dress on...and on...and on...' Art and Asia Pacific, Vol 7 No 2, 1994.

Patricia Mellencamp. 'Haunted History: Tracey Moffatt and Julie Dash'. Discourse, Winter 1993-94, Indiana University Press.

John Wojdylo. 'Bedevil'. Cinema Papers, No 96, 1993.

Lesley Stern. 'When the Unexplained Happens'. Photofile, No 40, Sydney, 1993.

John Conomos. 'Bewitched'. Art and Australia, Vol 31 No 2, Summer 1993.

Penny Webb. 'Tracey Moffatt's Bedevil: A Film Inscription of Three GhostStories'. Agenda, No 34, Summer, 1993-94.

Bedevil: The Study Guide. Ronin Films, Canberra, 1993.

Philip Dutchak. 'Cool Front in Cannes'. Sydney Morning Herald, 12 May 1993.

David Stratton. 'Bedevil'. Variety, April-May, 1993.

Peter Birnie. 'Three Engaging GhostStories from Down Under'. Vancouver Sun,12 October 1993.

Suzy Freeman-Greene. 'Tracey Moffatt is a playful and subversive presence'. The Age, Melbourne, 28 October 1993.

Annabel  Dean.   'The Ghost in  the Family'.  Sydney Morning Herald,  28 October 1993.

Lynden Barber. 'Making her own Rules'. Sydney Morning Herald, 28 Oct. 1993.

Tait Brady. 'Bedevil'. Melbourne Film Festival (catalogue). 1993.

David Stratton. 'Supernatural Vision'. The Australian, 30 October 1993.

Henri Behar. 'Le Pillage du Grenier Familial: Tracey Moffatt'. La Monde, May 1993.

Ruth Hessey. 'The "Bedevil" in Tracey Moffatt'. Juice, October 1993.

Jonathan Romney. 'Festival favourites. The Guardian's Jury Deliver their Verdict'. The Guardian, 24 May 1993.

Andrew Urban. 'Riders of the Post New Wave'. The Bulletin, 25 May 1993.

Interviewed by John Conomos and Raffaele Caputo. 'Bedevil: Tracey Moffatt'. Cinema Papers, Vol 93, 1993.

Claire Corbett. 'Drama Queen'. Rolling Stone (Australia), April 1993.

Deb Verhoeven. 'Just Trust the Text, Don't Colour It'. Art Link, Vol 1 3 No 1.

Susan Chenery. 'Silent Movies'. HQ, Autumn 1993.

Tracey Prisk. 'Moffatt Conjures Up Surreal Imagery'. Encore, Vol 10 No 20, 1993.

Karen Jennings. 'Experimenting with Difference'. Sites of Difference:
Cinematic Representations of Aboriginalty and Gender. Australian Film Institute, 1993.

Marcia Langton. 'Well, I heard it on the radio and I saw it on the television' (an essay for the Australian Film Commission on the politics and aesthetics of filmmaking by and about Aboriginal people and things). Australian Film Commission, 1993.

Laleen Jayarnanne. 'A Sri Lankan reading of Tracey Moffatt's Night Cries'.
Feminism and The Politics of Difference Edited by Sneja Gunew and Anna Yeatman Allen & Unwin Aust 1993

Jacques Delaruelle. 'On the Verge of Saying Nothing'. Visual Arts Program (exhibition catalogue). Adelaide Festival, 1993.

Jyanni Steffansen. 'Scanning Photoworks: Adelaide Festival and Fringe'. Photofile, No 35, 1992.

Warwick Adler. 'Photography and Eroticism'. Art and Australia, Vol 30 No 1, Spring 1992.

John McDonald. 'Sanctuary of the Idiot Box'. Sydney Morning Herald, 21 March 1992.

Pavel  Bucher.   Tracey Moffatt:  Framed (exhibition  catalogue).  Centre for Contemporary Arts, Glasgow, 1992.

John Conomos. 'Tracey Moffatt: Pet Thang, Recent Photographs'. Agenda, No 24, July-August 1992.

Laleen Jayamanne. 'Love Me Tender, Love Me True, Never Let Me Go:
A Sri Lankan Reading of Tracey Moffatt's Night Cries'. Framework, Nos 38-39, U.K. 1992.

Manohla Dargis. 'Our Favourites'. The Village Voice, 8 January 1991, USA.

Terence Maloon.  'From The Empire's End:  Nine Australian Photographers'm(exhibition catalogue).
Circulode Bellas Artes Madrid and The Works Gallery University of NSW, 1991.

Erica Carter. 'Radical Difference'. New Formations, No 10, Spring 1990.

Paul Harris. 'A New Light on Black Australia'. The Age Entertainment Guide, Melbourne, November 1990.

Paul Cox. 'Night Cries in Cannes'. Art Monthly, August 1990.

Megan Turner. 'Expect the Unexpected'. Brisbane Courier Mail, 25 August 1990.

Ingrid Periz. 'Night Cries: Cries from the Heart'. Filmnews, August 1990.

Scott Murray. 'Tracey Moffatt—Night Cries: A Rural Tragedy'. Cinema Papers, No 79, May 1990.

Ingrid Periz. 'Night Cries: Distance, Communicability and Reference'. West, Vol 10 Nos 1 &2, Autumn-Winter 1990.

Annie Goldson. 'Australia's Anxiety of Influence'. Afterimage, Summer 1990, New York.

E. Ann Kaplan. 'Aborigines, Film & Moffatt's Night Cries A Rural Tragedy:
An Outsider's Perspectives'. Bulletin of the Olive Pink Society, Vol 1 No 2, University of Adelaide, December 1990.

Isobel Crombie and Sandra Byron. Twenty Contemporary Australian Photographers (exhibition catalogue). National Gallery of Victoria, 1990.

Ruth Hessey. 'In Vogue: Profile'. Vogue, February 1990

'Photographers Gallery'. Follow Me, March 1990.

Patrick Crogan. 'Tracey Moffatt: Something More'. Photofile, Spring 1989

John McDonald. 'Challenging Dislocations'. Sydney Morning Herald, 2 September 1989.

Elizabeth Aird. 'Australian Filmmaker Out To Break The Rules'. Vancouver Sun, 16 November 1989.

Anne Marie Willis. Picturing Australia: A History of Photography. Angus and Robertson, Sydney, 1989.

Gael Newton. Shades of Light: Photography and Australia. Australian National Gallery, Canberra, 1988.

Helen Ennis. Australian Photography: The 1980s (exhibition catalogue). Australian National Gallery, Canberra, 1988.

Helen Grace. 'Still Moving'. Art and Australia, Vol 26 No 1, 1988.

Anna Rutherford. 'Changing Images: An Interview with Tracey Moffatt'. Aboriginal Culture Today, Dangaroo Press, 1988.

Anne Rutherford. 'Night Cries: A Rural Tragedy'. Artlink, Vol 10 Nos 1&2, Autumn-Winter 1990

Karen Alexander. 'Tracey Moffatt: Pushing the Boundaries'. Spare Rib, U.K., 1989.

Karen Sidney. 'Nice Coloured Girls'. Independent Media Magazine, U.K., 1989.

Kate Collins. 'Filmmakers Put Pacific in Focus'. Brisbane Courier Mail, September 1988.

Amy Taubin. 'Firestarters'. Village Voice, New York, 3 May 1988.

'Tracey Wants to Picture Blacks in Right Light'. Adelaide Advertiser, 22 March 1988.

Karen Jennings. 'The Frames Film Festival'. Artlink, Vol 8 No 2, 1988.

Karen Jennings & David Hollinsworth. 'Shy Maidens and Wanton Strumpets'. Hecate, Vol 13 No 2, 1987-88.

 


 

COLLECTIONS (in 1995)

National Gallery of Australia, Canberra
Art Gallery of New South Wales, Sydney
National Gallery of Victoria, Melbourne
Museum of Contemporary Art, Sydney
Flinders University, Adelaide
Queensland Art Gallery, Brisbane
Giffith University, Brisbane
Monash University, Melbourne
Art Gallery of South Australia, Adelaide
National Library of Australia, Canberra
Tasmanian State Institute of Technology, Hobart
Albury Regional Art Gallery, Albury, New South Wales
Steve Vizard Foundation, Melbourne
BP Australia, Melbourne
Linda Pace Roberts Collection, San Antonio, Texas, USA
The Auckland City Art Gallery, Auckland, New Zealand

FILM AND VIDEO COLLECTIONS (in 1995)

National Library of Australia, Canberra
State Film and Video Library of South Australia, Adelaide
West Australian Institute of Technology, Perth
Griffith University, Brisbane
Macquarie University, Sydney
University of Technology, Sydney
University of Sydney
State Film Centre of Victoria, Melbourne
West Australian Film Centre, Perth
Australian National University, Institute of Aboriginal and Torres Strait Islander
Studies (complete collection) New York Public Library, New York, USA

FILM AND VIDEO DISTRIBUTORS (in 1995)

Ronin Films Australia
Southern Star Australia
Dendy Films Australia
Australian Film Institute, Sydney
Women Make Movies New York USA
Women in Focus Canada
Kim Lewis Marketing Los Angeles USA
Circles U.K.
Jane Balfour U.K.

GALLERY REPRESENTATION (in 1995)

Mori Gallery, 168 Day Street, Sydney
Karyn Lovegrove Gallery, 2nd Floor, 321 Chapel Street, Prahran, Victoria

 

 


use the menu below to view chapters of this publication

Cover  /   Introduction: Tracey Moffatt   /  Texas Residency: Tracey Moffatt   /   Cover Girl by Gael Newton   /  Bibliography    /  Publication details

 
photo-web  /  asia-pacific-photography-home   /   contacts  /   Gael Newton  /  Gael's Blog