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NATURALISM and the establishment of photography as an artform in mid-centuryAustralia

Danielle Rossi 1996


This 2017 online version of Danielle Rossi's thesis has been adapted from a copy of Danielle's 1996 thesis as submitted for Fine Arts IV Thesis University of Sydney. This is not the thesis as submitted and includes amendments, reformatting and updated information.
©The copyright for this paper is retained by the author.



 

BIBLIOGRAPHY


Primary Sources:

Australasian Photo.-Review, Kodak, 1894-56, various issues.

Contemporary Photography, H. John Edwards, Sydney, 1946-50, various issues.

Le Guay, Laurence (ed.), A Portfolio Of Australian Photography, J. H. Edwards, Sydney, 1949.

Ziegler, Oswald L. (ed.), Australian Photography 1947, Ziegler and Co., Sydney, 1947.

Popular PhotographyAustralasian edition, James H. Coleman/Globe, 1950-61, various issues.

Wiight, George B., 'Photography in Mid Century', American Photography January 1951, pp6-20.

Moore, David, 'Himalaya Turns for Home', The Sphere 1 December 1951, pp357-9.

Moore, David, 'David Moore—An Australian Photographer', Camera June 1953, pp288-295.

The Family of Man, Museum of modern Art, MACO Magazine Corporation, New York, 1955.

Ziegler, Oswald L. (ed.), Australian Photography 1957, Zeigler and Co., Sydney, 1957.

Australian Popular Photography, James H. Coleman/Globe, 1961-3, various issues.

Australian Photography, James H. Coleman/Globe, 1963-96, various issues.

De Berg Tapes, 'Laurence Le Guay', 2 March, 1976, Oral History Collection, National Library of Australia.

 

Secondary Sources:

Batchen, Geoffrey, 'Australian Made—Photographic History in the Antipodes', in Afterimage, May 1989, ppl2-17.

Bentley, Philip, 'Deeper Feeling, Wider Vision', MA Thesis (Public History), Monash

University, 1996. Dupain, Max, 'David Moore, Photographer', in Photofile, Winter 1984.

Ennis, Helen, 'Geoffrey Powell: A Worker Photographer', for the Art Association of Australia Conference, September 1991, in Geoffrey Powell file at the National Gallery of Australia.

Ennis, Helen and Isobel Crombie, Australian PhotographsA Souvenir Book of Australian Photography in the Australian National Gallery, Australian National Gallery, 1988.

Green, Jonathon, American Photography: A Critical History 1945 to the Present, H. N. Abrams, New York, 1984.

Hall, Barbara and Jenni Mather, Australian Women Photographers 1840-1960, Greenhouse, Richmond, Victoria, 1986.

Hardy, Forsyth (ed.), Grierson On Documentary, Faber and Faber, London, 1979.

Jolly, Martyn, 'Edward Cranstone, Photographer', in Photofile, Autumn 1984, ppl-4.

Kester, Grant, 'Toward a New Social Documentary', in Afterimage, March 1987, vol.14, pplO-14.

Le Guay, Laurence (ed., with text by Gael Newton), Australian PhotographyA Contemporary View, Globe Publishing, Sydney, 1978.

Le Guay, Laurence, Some Happy Snaps and Snippets exhibition catalogue, Australian Centre for Photography, Sydney, 1978.

Lyons, Nathan (ed.), Photographers On Photography: A Critical Anthology, Prentice Hall, Englewood Cliffs, New Jersey, 1966.

Moore, David, David MooreAustralian Photographer volume 1, Chapter and Verse, Sydney, 1988.

Moore, David , Sydney Harbour, with text by Rodney Hall, Chapter and Verse, Sydney, 1993.

Newhall, Beaumont, The History of Photography, Seeker and Warburg, London, 1982 revised edition.

Newton, Gael (edited with text by), Silver and Grey—Fifty Years of Australian Photography 1900-1950, Angus and Robertson, Sydney, 1980.

Newton, Gael, Shades of Light: Photography and Australia 1839-1988, Australian National Gallery/Collins Australia, Sydney, 1988.

Riddler, Eric, Fine Arts IV Thesis, University of Sydney, 1990.

Rosier, Martha, 'In, Around, and Afterthoughts (On Documentary Photography)', in Richard Bolton (ed.), The Contest of Meaning: Critical Histories of Photography, MIT Press, Cambridge, Massachusetts, 1989.

Sekula, Allan, 'The Instrumental Image: Steichen at War', in Artforum, December 1975, vol.XIV no.4, pp26-35.

Sekula, Allan , 'Dismantling Modernism, Reinventing Documentary (Notes on the Politics of Representation)', in WOPOP, 1979, pp23-45.

Sekula, Allan , 'Photography Between Labour and Capital', in Leslie Shedden, Mining Photographs and Other Pictures 1948-1968: A Selection from the Negative Archives of Shedden Studio, Glace Bay, Cape Breton, Press of the Nova Scotia College of Art and Design and the University College of Cape Breton Press, Halifax, Nova Scotia, 1983.

Sekula, Allan, 'The Traffic in Photographs', in his Photography Against The Grain: Essays and Photoworks 1973-1983, Press of the Nova Scotia College of Art and Design and the University College of Cape Breton Press, Halifax, Nova Scotia, 1984.

Sekula, Allan , 'On The Invention Of Photographic Meaning', in his Photography Against The Grain, Press of the Nova Scotia College of Art and Design and the University College of Cape Breton Press, Halifax, Nova Scotia, 1984.

Sontag, Susan, On Photography, Allen Lane, Penguin Books, London, 1978.

Stange, Maren, Symbols Of Ideal Life: Social Documentary Photography in America 1890-1950, Cambridge University Press, Cambridge, England, 1989.

Steichen, Edward, A Life In Photography, Edward Steichen, MOMA, W.H. Allen, London, 1963.

Stott, William, Documentary Expression and Thirties America, University of Chicago Press, Chicago, 1986 edition.

Trachtenberg, Allan, Reading American PhotographsImages as History, Matthew Brady to Walker Evans, Hill and Wang, New York, 1989.

Warburton, Nigel, 'Varieties of Photographic Representation—Documentary, Pictorial, Quasi-documentary', in History of Photography, Autumn 1991, vol.15, pp203-210.

Webster, Sally, Harold Cazneaux Photographs, exhibition catalogue, National Library of Australia, Canberra, 1996.

Willis, Anne-Marie, Picturing Australia: A History of Photography, Angus and Robertson, North Ryde, NSW, 1988.

 

Exhibition Catalogues:

Harold Cazneaux Photographs, National Library of Australia, Canberra, 1996.

Masterpieces of Australian Photography, Josef Lebovic Gallery, Sydney, 1996.

Six Photographers, David Jones Gallery, 1955.

Sydney at Mid Century40 Photographs by David Moore, Art Gallery of NSW, Sydney, 1985.

 

 


 


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