July
                            28 1876             The
                            British Journal of Photography                 p.357
                      
                       
                          THE CENTENNIAL EXHIBTTION.
                      In
                          the Philadelphia Photographer Dr. Vogel gives his impressions
                          of the photographic department of the great centennial
                          exhibition.
                      The
                          great International Exhibition is an accomplished fact.
                          All branches of industry from every part of the world
                          have participated in the great centennial festival
                          of America, and the photographers have not been backward.
                          Worthy of the importance of our art, we see for the
                          first time a Photographic Hall constructed, which contains
                          everything belonging to photograpby - not pictures
                          only, but also chemicals, apparatus, an accessories.
                        
                      It is the first time photography makes its self-dependent
                        -separated from art and separated from industry. 
                      It
                        would have been desirable if this as separation could
                        have been extended over the jury also, so that photography,
                        with everything belonging, had formed a separate group;
                        but, unfortunately, this was not possible. The exhibition
                        of the Photographic Hall has been parcelled. The pictures
                        are given to the criticism of the jury of art; the
                        chemicals an placed in the group of chemistry; the
                        papers belong to the group of paper industry, and the apparatus and lanses to that
                        of the instruments of precision.
                      All
                          the photographers have not found a place in the
                          Photographic Hall. The photographs from Australia,
                          Egypt, India, Italy, and Switzerland are exhibited
                          in the main building, and we have trouble to find them;
                          in the division of Italy and Switzerland this is entirely
                          impossible without the assistance of the commisioners.
                        
                      The Australian exhibit contains mant things of interest
                        and instruction; the photographs are not the very best,
                        but the exhibition presents a picture of life in Australia
                        which in many instances seems to be similar to that
                        in America,
                        only that there the plastic art, as yet, in far, far
                        in the background. 
                      We observe in the Australian division some technic photographical
                        works which almost startle and puzzle us - sharp, mammoth pieces, which,
                        not withstanding several technical defects, deserve to be acknowledged. pieces which, iotwithstanding several teXi	to be
                      One
                          of them is the panorama of the city of Sydney, in New
                          South Wales, thirty-one feet in length, composed of
                          twenty-two single pieces, which present an excellent
                        view of the wonderfully situated city. 
                      Opposite this
                        mammoth work there are two other prints from large plates, five by three feet, perhaps the largest negatives
                        existing; and this giant work is the production of an amateur, Mr Holtermann.
                        
                      He was the lucky finder of a large lump of quartz, containing gold
                        to the amount of $60,000, and we see his portrait in the middle of
                        the compartment, with his treasure beside him. Another picture shows
                        us the gold in large lumps.
                      We
                          wish, for the interest of our art, that the photographers
                          of Australia may make several such lucky findings,
                          and then we hope they will work with the same passion
                          for our art as Mr. Holtermann, and spenda small part
                          of their gold for the purposes of the production of
                          photographs.
                      Next to Holtermann there is another
                        German, Mr. Lindt, who with his landscape photographs
                        gains houour; they are certainly the best from Australia,
                        and some of them show, indeed, real artistic apprehension.
                        
                      As generally known, Osborne's's process of photolithography,
                        which at present has a perfect success in America, first
                        saw the light in Australia. It seems as if Mr. Osborne's
                        example is not without some good fruits, for Mr. Sharkey,
                        in Sydney, has sent some very good photolithographs.
                      Of
                          portrait photogaphers I can name only Newman, in Sydney;
                          his exhibits are in the Photographic Hall. Besides
                        him there are in the main building many other portrait
                        photographers represented , but without any essentially
                        first class work. In portrait photography there is much
                        yet to be done in Australia before it will take
                          the high position which America at present occupies.
                        
                      The moon photography, which is taken in Melbourne by,
                        means of the renowned large telescope. cannot stand in
                        comparison with Rutherford's moon photography. 
                      Of more
                        interest are a number (about three hundred) of coloured
                        landscape photographs by R. Daintree, at Queensland -
                        a man of science, whose pictures tell us more than the
                        best book of geography about the now province in the
                        north-east part of Australia, which is rich in gold,
                        lead, copper, tin, and ooal (of which giant lumps are
                        exhibited).
                      Besides these there we many other
                        photographs in the same department; they show us the
                        most ugly faces of the Australian natives in life-size.
                        Another province of Australia is represented, namely,
                        New Zealand. 
                      Like a mighty alpine land, with real Switzerland
                        scenery, risen this wonderful island above the surface
                        of the ocean. Hot springs flow out of the earth, and
                        flourishiag cities are springing up. Of all of these
                        wonders photography gives in interesting pictures. 
                      We
                        see the ice-mountains of the high land, the geysers,
                        and surprising in the similarity of these photographs
                        with those of the Yellow-stone River in Colorado, which
                        Mr. Marshall has exhibited in the Photographic Hall.
                        We almost imagine we see the same scenery.