ARTHUR DICKINSON
active 1920—40s
Very little biographical information on Dickinson
is available. He began exhibiting in the late 1920s and was trained
by Monte Luke. He
was later a partner in the Dickinson-Monteith studio.
Plate 53 (City of Sound, 1930) was considered daringly modern when
first shown in 1930.
above
text
based on Gaël Newton's Silver & Grey
Angus and Roberston, Australia 1980